Sea of Compassion

aka Keep Your Feet on the Ground and Your Brush on the Page

*thank you to last fortnight’s 3 poets

Last week, politicians stirred up a nasty brew of disruption and destabilisation in the nation’s central cauldron.

I was blessed with downtime. I kept my ear to the radio, my feet on the ground and my brush on the page. Still besotted with my near-new ‘Brilliants’, I self-soothed in the pleasantly safe, contained space of a small Art Journal. I followed the brush, the play and flow of watercolour. I did not plan my pictures. I stayed open.

I had a cuppa and chanced upon a Hugh Mackay article about compassion as a form of love. Compassion. Possibly a missing ingredient from the approaches and actions of the country’s main destabilisers. He says,

‘It is normal for humans to show compassion towards each other, because, in the end, we are each other.’

compassion sea art creativity

Sea of Compassion
with Heartfish
Sally Swain © art

Hugh Mackay is not the first or the only person to express such a sentiment. Poets, philosophers, religious guides have said the same thing countlessly. However, his words spoke to my bruised brush, my ailing spirit. His words spoke to my dismay that those who dehumanise and brutalise innocent asylum seekers are those who ruthlessly engineer to rule a country.

‘Although we like to think of ourselves as independent, we are more like islands in the sea – separate on the surface but connected to each other deep down.’

We are each other
Sally Swain © art
inspired by Hugh Mackay’s words

My bruised yet bountiful brush, my ailing yet

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Do you dare?

Playing with my new Brilliants

Yes, that is their name. Brilliants. Art’s honest truth. Micador watercolour round palette portable set of TWENTY FOUR.

A Heart Might Grow in a Prickly Place
Sally Swain © art

Delicious.

watercolour brilliant art

Tree Or Body?
Sally Swain © art

I’m loving them. They weren’t that easy to track down, either. A set of 12 is more common, but hey – 24 means there’s a deeply nourishing rosey crimson, a bottle green, a sheeny cream and more than one shade of yellow.

Uluru watercolour

the water in the air
the air in the earth
the earth in the water    (ooo that Uluru continues to permeate my being and emerge in unexpected moments)
Sally Swain © art

I don’t often crave an art material. In this case, I coveted my friend’s set of 24 Brilliants in the way that you might have had an aching desire for a set of 72 Derwents (coloured pencils) when you were in primary school in the 60s or 70s. Did you?

Oh. And have I told you

I am the proud owner of 24 Brilliants?

My car and house might be falling apart; care responsibilities might be denting my soul, but Continue reading

What do you see in this picture?

Delight at the Aunty Art Cafe

heart art underwater

What do you see in this Picture?

All Ingredients of Joy are Present:

Art materials (portable)
A nice cup of tea (English Breakfast)
A nice niece (well, more than nice, really – fabuloso)

A splendid location (water views)

A breeze (the bees knees on a hot day).

watercolour art co-creation

Upside Down Waterscape

I am in love

with my new watercolour Brilliants.

They are called Brilliants and indeed they are. Brilliant.
(I hope my aquabrushes don’t feel jealous. We have a longer term relationship. We are calmly companionable, my aquabrushes and I.)

Ruby and Sal begin.

Actually, I begin. With a simple blue swooshy line across the page. We are across the road from an ocean beach, so it makes sense.

watercolour collaborative art

Beginnings

Ruby continues. Swirly seaweedy

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Tree Fern Woman

Wishing you peace, art and healing

for Easter,

Pesach,

Just-Post-Equinox,

Full Moon

and

Blue Moon.

I fell over in New Zealand. In February, I fell over in New Zealand Aoteaoroa outside Piha General Store. Just a little fall, but a pulsing ankle resulted.

How might I heal? How might any of us heal?

tree fern radiate art

Heart of the Tree Fern
Waitakere greenness

Rest,

ice,

arnica

and….Tree Fern Woman.

A bit of art and

a bit of nature didn’t do any harm.

It helped.

It helped that I was staying in a cabin amongst the treetops, able to gaze softly into the heart of the fern.

It helped that I was able to ponder the spine of the kauri.

That ankle eased up in no time.

art healing fern NZ

Tree Fern Woman
Waitakere Ranges

Finally! I

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Sister Pools

A Creative Support Partnership

Swain art watercolour

Rosey
a Sister Pool picture
by Sally Swain

Last week, we looked at the Handala – a small mandala with carry-handles.

The Handala arose while I waited for my sister to ring for our creative conversation. An Art and Soul Space blog reader (thanks, Gallivanta) loved that my sister reads me her writings. Inspired by my dear reader, let me tell you about … ta daa … Sister Pools.

For the past year, whenever we can, my sister and I form an interstate telephonic dual Creative Support Partnership. We read each other our writing-in-progress. We talk about current glitches, hitches, joys and successes in our creative process. We divide the time fairly equally.

I paint while she talks or reads.

She writes (or doodles) while I talk or read.

I might paint a preliminary shape on one page of the art journal, then squish the pages together, forming a Rorschach-type mooshy print. (Squish and mooshy being highly technical hoity-toity art terms).

I develop each page differently. Intuitively, spontaneously, I listen to her words, thoughts, feelings and to my own art desires and intentions. It’s a type of Response Art.

Here’s what emerged

in our very first meeting.

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Lateral Grieving for

the Queen of Blobbage (pronounced in the French way).

Lateral Grieving.

lateral grieving watercolour art

Lateral Grieving
for the Queen of Blobbage
Sally Swain © original art

Who’s heard of it?

Not you. Not me before now, because

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Bricolage. A fancy name for

making do.

With bricolage, you play with the materials at hand, even if they are old soggy paint-logged facial tissues.

‘These magical acts of creation are analogous to pulling a large amount of rabbit from a small amount of hat.’ 

says Stephen Nachmanovitch in ‘Free Play – the Power of Improvisation in  Life and the Arts’. *

bricolage tissue watercolour painting

Dabflowers
Sally Swain © original art
picture made from other people’s leftover paint tissues, plus glue, watercolour, pen.
Quite 3 dimensional. Coiled tissue pirals in the centre.

Remember a couple of

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